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Some Company Histories.In 1898 Roseville Pottery Company moved its administrative offices to Zanesville, Ohio and began aquiring production facilities. By 1910 all production had ceased in Roseville, Ohio. After a fire destroyed the 'German Cookware' plant in 1917 all Roseville pottery was produced at a single facility in Zanesville. For more visit RosevillePlace.com The Teco Pottery line included over 500 designs by 1911. Gates himself created nearly half of the shapes with many of the others being created by some of the best outside designers available. For the most part Teco Pottery lacked formal decoration and relied on geometric, organic or architectural designs to make a statement. The geometric forms with angular handles and buttresses made Teco a perfect fit with the "Prairie School" style of Frank Loyd Wright. Teco Pottery is most highly valued by todays Arts and Crafts collectors. The Pottery is most famous for simple, matte green glazes some of which exhibit a charcoaling effect in the form of a metallic, black overglaze. Other successful Teco colors include brown, yellow, blue, pink and maroon. It is not widely known but Gates Potteries was among the first (if not first) to create a first chass crystalline glaze. The full catalog can be seen at VanBrggle.info. To those who are not familiar with the name of VAN BRIGGLE POTTERY, a condensed sketch of its beginning may prove of interest. Through years of unremitting toil and discouragement, Mr. Van Briggle found that Colorado clays would produce those mysterious velvety glazes of early Chinese pottery which have been lost to the world for so many centuries, and which are now to be seen only in the larger museums of this country and Europe. At the Paris Salon the fruits of his discovery were rewarded with the highest praise and honor. Upon this wonderful achievement the present plant (the second largest in the United States) was made possible in 1907. A site was chosen in the upper end of MONUMENT PARK (Colorado Springs most beautiful playground), where an unsurpassed view of Pikes Peak and the Front Range would be a constant inspiration for those actively engaged in carrying on this great work. Neither layman nor artist is here hampered by the humdrum of factory life, but both are lifted to those higher manifestations of a living art of which the VAN BRIGGLE product has come to be representative. |